As infinitas imagens cotidianas: vínculos e excessos na imagem digital

Abstract

This researche s objective is to investigate the communicational relations and bonds between the excess of produced images on digital media and their carriers. Starting from the hyopothesis that with the advent of digital cameras and phone cameras our ways of looking, recording, saving and accessing our images have been deeply modified - encouraging and addictive behavior for pictures. The study object is set up on the bonding relations between excessive images and their carriers. This study was methodologically accomplished through interviews with ten informers the images carriers that contributed to imply that we are producing pictures as information excessively. In this scenario the producers of infinite everyday pictures named in this research photomaniacs, who generate two distinct natures of images: the circulatory info images and the everyday info images. By excessively producing digital images we offer the devices the feature of our memory extensors and forgetfulnesses, undoing the logic of compiling, saving or filing operating in a cumulative and disordered small particular pictures. This way, we try to saturate our most superficial memory that when operating on excess generates schizophrenic pictures. However, even if the way is only technological, we must remember that the body is the living organism suitable to pictures, the place in which we hold deep bonding relations and over this bodily, the pictures survive as images imbued of senses, bonds, belonging and cure. In order to justify the questions that permeate the research, this work activate the theories of communicational bonds from Boris Cyrulnik, Jose Ângelo Gaiarsa and Ashley Montagu. Image and schizophrenia studies from Nise da Silveira and Leo Navratil. On Cultural Semiotics, in its central european chain were activated the image theories proposed by Aby Warburg, Walter Benjamin, Dietmar Kamper, Norval Baitello Junior, Hans Belting and Vilém Flusser