A cenografia literária no discurso de Lygia Fagundes Telles: uma crítica à sociedade pós-moderna

Abstract

The proposed Dissertation is located in the field of French Line Discourse Analysis (AD) and has as its theme the literary scenography in speeches by Lygia Fagundes Telles, considering the theoretical-methodological perspective proposed by Dominique Maingueneau (2018). Our research deals with the relationship between discourse and literary scenography in the production of Lygia Fagundes Telles within Brazilian postmodernism, understood as a philosophical and literary movement, aiming at the discursive production of Lygia F. Telles as a critique of postmodern society. The importance of the figure of women during the Military Regime in Brazil stands out, as well as the influence of the waves of feminism, especially in the last wave of the 1970s, marked by the fight against the military dictatorship and censorship, in addition to the debate on sexuality and equal rights. Our research also proposes an approach that brings AD and Literature into interdisciplinarity, by exploring the concept of literary scenography as a way of understanding the movement of subjects in Lygia's speeches. It highlights the importance of considering the socio-historical conditions of speech production, as well as the categories of Discourse Analysis. The text is organized into three chapters: Socio-historical conditions of production, The trajectory of AD and its Analysis categories, and Analysis of corpora. The research proves a link between Linguistics and Literature, based on Maingueneau's theoretical contributions on Literary Discourse and uses the speeches present in the book "Seminário dos Ratos" by Lygia Fagundes Telles